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The Controlling Idea (Part 1)
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The Controlling Idea (Part 1)
The single sentence that captures your story's character, world, conflict, and transformation. In a live workshop, the class sees how one word can turn a boring synopsis into a story everyone wants to see.
About This Lesson
Andrew introduces the controlling idea (or logline) as a sentence that aligns your story and acts as a North Star when you get lost. He breaks down its four components: the character, how they change, what they need to overcome, a hint of the world, and the conflict. Using The Martian, he shows a well-crafted controlling idea that includes all elements.
He then shows a bad logline for Up and leads the class in improving it. Students collaboratively transform it: "78-year-old Carl" becomes "a lonely old widower," "traveling to Paradise Falls" becomes "fulfilling his departed wife's dream." When workshopping Titanic's logline, the breakthrough: changing "young woman" to "engaged woman from a different social class" instantly creates two sets of stakes. He reveals Cameron pitched Titanic by bringing a model ship and saying "It's Romeo and Juliet aboard this." At Pixar, the controlling idea was what teams returned to whenever they got lost in their story.
All Lessons
Intro
My Journey
Story is King
Throwing Rocks
Don't Give Them 4
Goals
Where Do Ideas Come From
Plot vs Theme
Six-Word Story
The Controlling Idea (Part 1)
The Controlling Idea (Part 2)
Story Structure
7 Steps
Exercise: The String of Pearls
Out